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Grooms, Don - Four handwritten letters and a single typed letter (c. 1997) sent to Margaret Longhill (Longtime companion to Will McLean and President of the Will McLean Foundation) discussing his activities as a judge for the Will McLean songwriting contest ("…Paul Garfinkel's 'Florida Pines' was the best...") and sending his regrets as to performing at the Rainbow Springs WILL McLEAN FOLK FESTIVAL ("...I'm sure you have everything under control there --except for the armed guards to protect the people from us musicians..". A 1998 "Celebration of Spirit" memorial program for Don Grooms is also included in the folder. According to the FLORIDA MEMORY website: "Born in 1930, Don Grooms was raised in Cherokee, North Carolina. He came from a family with Cherokee and Appalachian heritage. As a child, he played a cornstalk fiddle, a cigar-box banjo, and a $3 Silvertone guitar. At age 10, Grooms began playing for square dances and at 14 he belonged to a dance band that played pop tunes. Grooms became a professional journalist and moved to Florida to teach journalism at the University of Florida. While in Gainesville, Grooms was influenced by Will McLean, which motivated him to return to songwriting and playing guitar. He became a fixture at the Florida Folk Festival, where he performed on stage alongside Florida Folk Troubadours Gamble Rogers, Jim Billie and Will McLean. Grooms received the Florida Folk Heritage Award in 1996." Don Grooms died in 1998

 File — Box: 6, Folder: 5

Scope and Content

From the Collection:

Spanning a period beginning with his genealogical roots in the late 19th Century and detailing the private and public life of "Florida's premier folklorist" from his birth until his passing in 1990, THE WILL McLEAN FLORIDA FOLK MUSIC COLLECTION consists of family history and photographs, handwritten song lyrics and poetry, promotional posters, handbills, brochures and programs, recordings (various formats), artifacts (his iconic black wool hat, harmonicas, a guitar, etc.) as well as correspondence between McLean and his family, musical collaborators and colleagues and his longtime companion and champion Margaret Mary Longhill. This fascinating research collection reveals a complicated, creative and eccentric activist who lived to sing the praises of his home and to bring attention to the history of Florida and the environmental damage that threatened the ecology of this beautiful and fragile landscape. The researcher will find a vast archive of primary source ephemera that chronicles the 20th Century Florida folk music world and the talented musical pioneers who paved the way for future artists who now entertain and inform at the many folk festivals across the state.

Dates

  • Creation: 1885 - 2000

Creator

Access

The collection is open for research.

Extent

From the Collection: 15 Linear Feet (18 Boxes, 1 Guitar and case, and 2 Oversize Folders)

Language of Materials

From the Collection: English

Repository Details

Part of the Special and Area Studies Collections, George A. Smathers Libraries, University of Florida Repository

Contact:
George A. Smathers Libraries
PO Box 117005
Gainesville Florida 32611-7005 United States of America
352-273-2755