Harold B. Bachman Band Collection
Scope and Content
The Bachman Collection includes band materials that span most of the twentieth century. The collection consists mostly of personal correspondence, printed materials, official correspondence with various professional organizations, Bachman's personal mementos and souvenirs, and a large and varied collection of photographs.
Some of the organizations that are included in the collection are: American Bandmasters Association, American Legion, CBDNA, Music Educator's Bureau, University of Florida, University of Chicago, United States Marine Bands, United States Army (regular and special services), Kappa Kappa Psi, Tau Beta Sigma, Theta Chi, Alpha Gamma Rho, Million Dollar Band, Gator Bowl, Disneyland.
Some of the individuals included in the collection's correspondence are: A.A. Harding, Victor Grabel, William Revelli, Arthur Pryor, Doc Sevrensin, John Phillips Sousa, Al G. Wright, Paul Yoder, Leonard Smith, Henry Fillmore, Edwin Franko Goldwyn.
The photographs include images of military bands in World War I, clinics and competitions, bands at Walt Disney World and Disneyland, various high schools from around the country, American bandmasters, and Bachman's family and personal friends. Photographs of the University of Florida Gator Band were removed and filed with other band photographs in the University Archives Photographic Collection.
An addendum to this collection (Boxes 30-31) includes news clippings, articles about Bachman, correspondence, programs, convention materials, military records, and photographs. Topics include the American Bandmaster's Association, the Florida Bandmaster's Association, the Million Dollar Band, and the UF Music program.
- Majority of material found within 1916-1972
- 1916 - 2011
- Bachman, Harold B. (Person)
University Archives collections are available for research. Portions of the collections may be restricted due to the requirements of applicable state and federal laws, including but not limited to FERPA and HIPAA, and in accordance with best practices as defined by the Society of American Archivists.
In many ways, Harold Burton Bachman's extraordinary life traces the major currents of the band movement in America. Bachman's leadership of military, professional, and student bands through countless performances during the first three-quarters of the twentieth century inspired others to dedicate themselves to band music and created a positive training ground for talented young musicians and composers. His aura of humor, friendliness, and fine musical performance made a national reputation for Bachman that is still emulated and admired even years after his death. Perhaps more importantly, his great strength of character and memory as a dedicated and inspirational teacher rightfully deserve him a place in history as one of the great leaders and true geniuses of band music in the twentieth century.
Bachman began his musical career in the place of his childhood, Minot, North Dakota. As a young cornetist, he received early training in a number of small circus and local bands beginning around 1903. While attending the North Dakota Agricultural College from 1914-16, he led the student cadet bands, succeeding his mentor Dr. C. S. Putnam, and played cornet in Bohumir Kryl's famous band during the summers. On the day that the United States entered World War I, Bachman wrote a letter to Adjutant General Angus Fraser volunteering the immediate recruitment of a band for the North Dakota National Guard. The governor approved the offer and, on November 26, 1917, Bachman's band embarked for the European theater. This group later became the 2nd Infantry Band and distinguished itself for fine musical performances entertaining doughboys and dignitaries alike in tours across France. At a concert in St. Nazaire, General Hunter Liggett commented to an aid: "Colonel, that band is worth a Million Dollars to the United States Army." As the band's supreme reputation spread over two continents, so did its new name, "The Million Dollar Band." After the war, Bachman toured his newly incorporated Million Dollar Band annually from Chicago to Florida along the Chautauqua Redpath Circuits during the golden era of the professional traveling concert bands. From 1928 to 1942, the band established permanent headquarters in Chicago, playing frequents engagements at Grant Park and gaining a national status from radio broadcasts on CBS and NBC.
As Bachman's notoriety grew so did the demand for his appearances as guest conductor and clinician around the nation. He took a job as director of bands at the University of Chicago from 1935 to 1942. Despite dwindling budgets and support for the furtherance of band music at Chicago, Bachman made a smooth transition to the world of academics, arguing tirelessly in favor of music education. He was, however, interrupted from this mission by America's entrance into the war with Japan. In 1942, Bachman was recalled to active duty and promoted to lieutenant colonel to serve as the head of band music in the Pacific Theater. The same year, his National Champion American Legion Post No. 622 Band shined on national radio broadcasts from Chicago and tours in the Mid-West.
In 1948, a mandate for the improvement of band music at the University of Florida by its new president, J. Hillis Miller, brought Bachman to Gainesville as the new director of bands. During a decade of service from 1948-58, Bachman built, at the University of Florida, what many consider to be one of the premiere college bands of the South. The young concert program matured and thrived under his innovative and inspirational leadership and drew many famous bandmasters to conduct the university bands. In 1951, the Gator Marching Band drew national publicity from its concerts on the steps of the Capitol Building in Washington, D. C. and at New York City's Rockefeller Center during a Veterans of Foreign Wars Tour. In 1953, Bachman brought the prestigious convention of the American Bandmasters Association to Gainesville shortly after his presidency of that organization. He adjusted well to the growing popularity of bands as part of the gridiron pageantry of collegiate football and the Gator Band distinguished itself for innovative drills and fine adaptations of popular and classical music.
Bachman retired from the directorship in 1958, but he was long from ending his influence in the development of American school bands. From 1958-61, he served as the interim chair of the Department of Music at the University of Florida, where he remained a professor emeritus until 1972. A much sought-after guest conductor, contest judge, sight-reading instructor, and clinician at band festivals during the remainder of his life, Bachman became one of the true leaders of the development of the school band movement in Florida and in all corners of the country.
To complement his themes of music education, Bachman produced numerous publications during his lifetime. He co-authored the Smith-Yoder-Bachman Band Method in 1939, which sold more than a million copies during several decades in print. He went on to author two books of band history, The Million Dollar Band (1962) and The Biggest Boom in Dixie: The Story of Band Music at the University of Florida (1968), and a monograph titled, Program Building for Bands (1962). He presented an illustrated lecture, The Role of Band Music in American Culture, to thousands of people at academic gatherings and band clinics during the 1960s and early '70s. He also published over seventy articles including, most notably, a series on the history of bands in Florida, numerous instructional guides, and biographical sketches of famous bandmasters Henry Fillmore, Victor Grabel, and Albert Austin Harding. He was a member of the American Bandmasters Association serving as its president in 1950-1. He is an inductee of the Hall of Fame in Florida Music Educators Association. Bachman garnered two honorary doctorates (in Literature from the University of Idaho in 1963 and in Music from the North Dakota State University in 1966). He was awarded the Edwin Franko Goldman Citation, the Vandercook College of Music Distinguished Service Award, the National Band Association Academy of Wind and Percussion Artists Award, and the Kappa Kappa Psi Distinguished Service Medal.
Upon his retirement in 1958, Bachman donated to the University of Florida his huge private band music library, at the time, one of the most complete collections in the world. He was an ardent spokesman of the need for a larger American band literature. He was a supportive reviewer of new works and positively influenced the publication of many pieces, some of which are dedicated to him, including Colonel Bachman March by Albert Cina. In 1974, Alton Wayne Tipps received his doctoral degree from the University of Michigan with the completion of his dissertation, Harold B. Bachman, American Bandmaster-His Contributions and Influence, based on personal interviews with notable bandmasters and his initial processing of this archive. Bachman's legacy lives on in the form of a trust bearing his name which funds scholarships to all qualified marching band students at the University of Florida.
13 Linear feet (31 Boxes)
Language of Materials
Band materials, personal and professional correspondence, mementos and souvenirs, printed materials, records related to music clinics, festivals, and conferences, and publications by and about the musician, Harold B. Bachman.
University of Florida Smathers Library Building
- Bachman, Harold B. (Person)
- A Guide to the Harold B. Bachman Band Collection
- Finding aid created by Dept. Staff
- January 2008
- Description rules
- Finding Aid Prepared Using Dacs
- Language of description
- Script of description
- Language of description note
- Description is written in English.
- June 2021: Sarah Coates; added 4 DVDs of Roll of Distinction Concerts
Part of the Special and Area Studies Collections, George A. Smathers Libraries, University of Florida Repository
George A. Smathers Libraries
PO Box 117005
Gainesville Florida 32611-7005 United States of America